(May 16, 1627 - in or after 1683) was a Dutch artist who specialized in still-life painting with flowers or game. Van Aelst was born in Delft to a family of prominent city magistrates. He learned to paint from his uncle, the still-life painter Evert van Aelst. On 9 November 1643 he enrolled as a master of the Guild of Saint Luke at Delft. Between 1645 and 1649 he lived in France. In 1649 Van Aelst travelled to Florence, where he served as court painter to Ferdinando II de' Medici, grand duke of Tuscany. At this time, the grand duke also employed two fellow Dutchmen Matthias Withoos and Otto Marseus van Schrieck, the latter also a still-life painter who probably influenced Van Aelst's style. In 1656 he returned to the Netherlands to settle permanently in Amsterdam. He became one of the most prominent still-life painters of his generation, which allowed him to live on the Prinsengracht. He must have at Amsterdam died in 1683 or shortly thereafter, as his latest dated work is from that year. Van Aelst taught Rachel Ruysch and several others.   Related Paintings of Willem van Aelst :. | Der Afrikaner Scipio | View of Malvern Hall,Warwickshire | The Nile | Detail of The Healing of Tobit | Rosen |
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Antonin Slavicek
1870 - 1918 (1870?C1910) was a renowned Czech painter. He was a part of the Czech impressionist movement. One of his most famous works is Garden Wall, which hangs in the National Gallery in Prague.
Frederic james Shields,ARWS
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Mark Gertler
British 1891-1939 Mark Gertler Gallery English painter. He was the son of Polish Jews and was brought up in Whitechapel in severe poverty until his father furrier workshop became moderately successful. As a child he knew nothing of art except advertisements and the work of pavement artists. He was 14 before he heard of any art institutions, and his career was determined by the discovery of W. P. Frith Autobiography in a secondhand bookshop. In 1906 he began attending art classes at the Regent Street Polytechnic in London, as well as a series of talks on Dutch and Flemish painting. His earliest still-lifes show the influence of Dutch 17th-century painting and the work of Chardin. Gertler left the Polytechnic for financial reasons in 1907 and apprenticed himself to Clayton and Bell, a firm of glass painters. In 1908 he won a prize in a national art competition and, on the strength of this, successfully applied for financial assistance from the Jewish Educational Aid Society, using William Rothenstein as a referee. That autumn he entered the Slade School of Fine Art, where he was taught by Henry Tonks and Philip Wilson Steer. He won several prizes and scholarships and fell in love with Dora Carrington. This and other friendships established at the Slade introduced him into a society that gave him a new perspective on his own family background. While writing delightedly to others of his nice friends among the upper classes, his paintings